Showing posts with label City. Show all posts
Showing posts with label City. Show all posts

Saturday, March 28, 2020

Saturday, March 28, 2020

Working at home today, as I am almost every day. I am grateful to have a large commission on which to work. It is tedious and will be time consuming but that is a good thing this month with so much time at home. Here is the start. My adjustment to the work table at home coming along.


Saturday, March 28, 2020  Working from home. 
The view out my window is amazing, it is the reason I live where I do. There has been a fair amount of atmosphere this week, and one amazing sunset, which I do not see directly but see the light on the buildings out my windows.






Finally I have been working on a new blog devoted to my sketchbooks. I try to scan a sketchbook every couple of days and I have been able to post four books thus far.  If you are looking for something to help you kill a little time you might enjoy looking through these. This is just a start, I hope to scan many more as the weeks go on. A few examples below and a link to my sketchbook blog at the bottom of this post. Be well, be sane, be kind. 


The view out my condo window. June 2019


December 22, 2019

Doodle from the spring of 2018. 

Testing a new pen on December 8, 2018


The link to my sketchbook blog: McGuireSketchbooks.blogspot.com


Wednesday, May 8, 2019

New Drawings and an Invitation

This spring has been all about black and white drawings. I have a new black acrylic paint that is so dark and dense that it almost becomes optical when applied to white paper. Thus I have been revisiting some old genres of my drawings to reevaluate my intent. The majority of the drawings have been made on 12 x 16 inch Arches Cold Press Watercolor Paper.

I will be showing many of these new drawings at Sojourn in Sawyer Michigan over Memorial Day Weekend. See the invite below. Stop by if you are able.

A selection of some of the new drawings.


Tuesday, June 5, 2018

New Work - June 2018

I've been on a bit of a run with the India ink drawings this week. A commission for a Michigan client has inspired a slight evolution in the box-like imagery in the drawings. I sometimes refer to them as complex cages and that applies to these new configurations.
Michael McGuire - Untitled Drawings - India Ink, Pencil on Arches Watercolor Paper - 40 x 26 inches each
Detail
The color study panels are up on the walls in the gallery for a show we opened last Friday. These are all modular and can be moved and rearranged and desired. I'm not finished with either series but I am interrupted this week.
Michael McGuire - 6 Color Panels - Acrylic Paint on Panel - 12 x 12 x .75 inches each
Detail
Michael McGuire - 6 Color Panels - Acrylic Paint on Panel - 12 x 12 x .75 inches each
Detail

Saturday, June 10, 2017

Andersonville 'Midsommarfest'

The gallery is open. The AC is on, and I have refreshments. Stop by if you need a break for the festivities and the heat.
Michael McGuire - 2 new untitled drawings - India Ink, Acrylic Paint on Arches Watercolor Paper - 40 x 26 inches each
East Gallery Wall - 2 Framed Michael McGuire Drawings, a large Michelle Peterson Albandoz 'X' piece
The West Wall of the Gallery - All pieces by Michelle Peterson Albandoz
Michael McGuire - Untitled 'City' Drawing - Acrylic Paint on Arches - 40 x 26 inches

Thursday, June 1, 2017

Recent Color Studies

Color is definitely in my head this spring. Some people say it is a reaction to the Trump era. I like to thing I'm working on adding another skill set. Color is hard,and I am not a natural, but I have learned a few things. Not sure where I am going with this impulse but small studies seem like a good place to figure it out.

I just finished a commission of large 'City' drawings that involved a bit of cautious color. These drawings will be heading to Sao Paulo and the imagery seems appropriate to a city of that size. 

Michael McGuire - 4 'City' Drawings - Acrylic Paint on Paper - 40 x 26 inches each

These drawings required me to look at both the acrylic paint and the paint pens I had on-hand and I ended up making a series of samplers that looked something like these. I had more earlier in the month but I have been giving them away as gifts. They are small and definitely have the feel of a study. My immediate impulse are the psychedelic color combinations. I was all those early rock posters on which I was raised. I think too that is has something to do with challenging my eyesight which becomes weaker every year.



Directly from these came a series of small city studies. Each of these are sized at 8.5 x 5.5 inches.



I got a little political on the last study.

On to something larger this weekend.

Monday, March 28, 2016

More Images of Current Work

Our next and newest show opens this Friday, April 1, 2016, 7 to 10pm at the Las Manos Gallery Space, 1515 W. Foster Ave, Chicago.
Michael McGuire - Untitled Watercolor (Klee Study 3) - Watercolor on Paper - 9.5" x 6.5"
Michael McGuire - Red/Gray City - Acrylic Paint on Archival Mat Board - 40" x 30"
Michael McGuire - Blue/Orange City - Acrylic Paint on Archival Mat Board - 40"x30"
Michael McGuire - Building Study - India Ink on Watercolor Paper - 11"x8.5"

Sunday, April 5, 2015

Drawings - Old and New

A few quick photos of drawings, two old, two new, and one a rework of an old idea. Shot on my drawing table as I was organizing this morning. All made on the same Arches watercolor paper size 40 x 26 inches.




Sunday, January 25, 2015

Sunday, January 25, 2015

It was one of those mornings when everything was out of sync - awake too early, scratchy throat, and it was beginning to snow. The final indignity was missing my bus by 20 seconds despite the app on my phone assuring me I had another two minutes until it arrived. A snowy Sunday morning, and of course the next bus was not due for another 25 minutes. I had a good five minutes of feeling sorry for myself, not sure why that feels so good, but walked to the train and was heading up to my studio pretty quickly. It was while riding the train that I realized what a beautiful morning it was. The snow was just beginning to collect in some areas, and the city was deserted and quiet. I happily stared out the window, mesmerized by the landscape the entire fifteen minute trip.

The problem with taking the train to my studio is once I arrive at my stop (Berwyn) I still have a walk of five blocks, which at times can be a little dreary. But, in actuality it was a good day for a walk. Yesterday in the studio someone had asked me about an old panoramic photograph of mine that depicted a wall of graffiti. I had not looked at the photo in awhile but I remember where it was taken - the west wall of the Berwyn El station, where I was now disembarking. I knew the painting on the wall had evolved over the years, such is the nature of graffiti. The neighborhood may have even had a program where they encouraged young artists to work on that wall. I also knew that up until a few years ago, at least one element of the old graffiti depicted in the photograph, a large cartoon-like head, was still visible. Now, in a better mood despite still not having a coffee, I took detour to visit what remains of the graffitied wall. I'm happy to report my favorite head is still there, changed, a little duller in color, but still with a spark in its eye. And the rest of my short trek to the gallery was equally as inspiring, not for any specific reason other than it was lovely to look at the world covered with the light coat of snow on a not too cold day.

A few photos from this morning. The original panorama with the graffitied wall, and then a quick shot of the section of the wall as it exist today. Then a few photos I snapped on my walk to work. Gathering ideas, reacting, but not really over-thinking.









The snow continues to come down, and I may be less sanguine about this in five hours when I head home, but for now, lovely morning.

Addendum - February 1, 2015

The proposal in regard to the Graffiti panorama continues to move forward. The space where the photograph will resides has specifications that require reworking the proportions - which in some cases I am able, and happy to do. And we will be scaling up the image which is always exciting. Below is the reworking of the original photograph in its new cropped state. And then a playful juxtaposition of the wall ten years ago and now. 



Hello Old Friend, I Haven't Seen You In Years!

Wednesday, October 29, 2014

Fall - The Climbing Vines Change Color



I'm making photographs of the climbing vines again. Now that fall is in full swing and the colors are changing here in Chicago, the vines are taking on significant color. These vine flourish all over the city, but are often lushest in places where they are mostly neglected. Settings like parking lots and alleys where these plants are left unattended are where they grow best in the urban environment. I shoot them head-on, flattening the composition to landscape like configuration. There is something in them that remind me of the sensibility of Asian folding screens, paintings and scrolls.


Wednesday, July 30, 2014

Out Of That Corner - Two New Drawings

I continue to work at coloring (staining) my Arches watercolor paper. Some of them are amazing, but I am drawing 'architecturally' on top of them. Something about the 'rational' holding back the chaos. The tower is based on the cubing of the first thirteen positive integers, what is more rational than that?
Tower of Cubes - Arches Watercolor Paper, India Ink, Acrylic Paint - 40 x 22 inches
Untitled - Arches Watercolor Paper, India Ink, Acrylic Paint - 40 x 22 inches

Saturday, July 5, 2014

New/Old Drawing - 'Winter City'

I had fun with this one. The start of the drawing had been sitting in the drawer for a couple months, half finished - white acrylic buildings on a hand-washed background of diluted India Ink. My thought at the time was to continue drawing buildings at a smaller scale into the background, but I ran out of momentum. Recently I've been wanting to experiment with grids, or lines of acrylic paint on hand colored watercolor paper, and this unfinished drawing was the perfect opportunity to do so. I worked on a large sheet of paper, left over from a larger roll of Arches watercolor paper, and I tore it down after the drawing was completed. The deckled edge is very much in evidence. I'm happy with the way it came out, the traces of the under-wash still show - I already have a couple of directions that must be explored. I'm calling it 'Winter City' because it reminds me of the way Lake Michigan looked this past winter, covered in sheets of ice.
Winter City - Acrylic Paint, India Ink, Arches Watercolor Paper - 40x22 inches