![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM9WuShJKAHuW00BvTWh-AVDNegBX25tmQxIETaftoLZFiTGSWil0uQCQBs2WL8ImV7hmT6T84EbUn07fcQDMheYCY6U6QMbeb1KKMl6KVlhOOFGDBCFJ86A1zc5hpxYflLthSHLB35L0/s400/DSCN3839.2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8TeBN7kt_BXNTplCrLXcRY8d_5bjj0_MkcrZCcUQE4nmiWzOfRG3ayEODa61nAXaVpog12Qk7IuxCPTSH4rz-nzmVTs1-dpSI6dsFB-CN5d34yK88yYWNXGAqseoFyqVmUk3JUF58S_o/s400/DSCN3838.2.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-pIKGnbGs3BQVy1by4ZHOBKTQFYQ6MAsbiQXgwjLUsZilVYLh66GtJdiocaREm6v8KGsFrMtTMG-gwuTPMFeYj9VbEaZKZ78QJ13EcSdu9jZNmPCG3S3T82R8vWeTU3ONoIf9tv0CSOs/s400/DSCN3847.2.jpg)
This week I continue to make drawings of spring branches, but now from photographs. I rarely work from photos when drawing but in this case it helps disentangle the vast amount of information I have to contend with when I look at these branches. I love the systems that emerge from the chaos of the foliage. And the density and quality of contrasty black and white actually evokes the feeling of these early spring days; the budding trees and the sunlight filtering through them. All drawings are approximately 13 x17 inches, (although I may trim them a bit once the series is finished), and india ink on bristol paper.